Back in Sydney at the end of 1969, Whiteley moved to Lavender Bay and became involved in the Yellow House artists collective in Kings Cross. It premiered at the Sydney Opera House on 15 July 2019. This article appeared in the `Art' section of the newspaper. Sandra McGrath., The Australian, 'A prize collection', Sydney, 27 Oct 1978, (illus.). In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. 2-4, Sydney, 2001, 8. Unresolved: Release in which this issue/RFE will be addressed. Critique of Whiteley. It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. 46. . ), Sue Williams, Daily telegraph mirror, 'Memories of Whiteley', subtitled 'Portrait of an artist', pg. Art, life and the other thing, 1978 by Brett Whiteley Its not the dark, edgy image of a celebrity, but the portrait of an artist. Whiteley's self portrait is compared with Velaquez's of 1656, and Manet's of 1879. 3), 'Collecting international art', pg. Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. 1924 Miss Collins by W B McInnes. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. ), 145 (colour illus.). A photograph of Alan Lloyd, head of conservation at the Art Gallery of NSW, examining a detail of Whiteley's painting also accompanies this article. David Christian, 'At Lintas advertising agency, Sydney', c1956. He painted a series of paintings based on these events, including Head of Christie. (This same article appears in 'The Daily Telegraph Mirror', 20 June, 1992. His expression is completely blank, as if he wanted only to pause and take stock of himself. cat.no. Barry Pearce, Australian painters of the twentieth century, 'Brett Whiteley', pg. (PDF) 40 years Kaldor public art projects 1961-2009 World events Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. Donald Richardson, Art & Design in Australia, South Yarra, 1995, 15, 60, 80, 83, 137, 140, 145, 163, 243.. Peter Ross, Let's face it: the history of the Archibald Prize, Chapter 4: Into the 1970s, pg. 9. Jennifer Phipps, Members Magazine of the National Gallery Society of Victoria, 'Brett Whiteley Self Portrait and Other Intimacies', pg. While he was a teenager, he painted on weekends in the Central West of New South Wales and Canberra with such works as The soup kitchen (1958). In 1976 he won both the Archibald Prize for portraiture and the Sulman Prize for genre painting and, the following year, the Wynne Prize for landscape. He won the Art Gallery of NSW Archibald, Wynne and Sulman prizes several times, and his artistic career was bolstered by his celebrity status in Australia and overseas. Andrew Powell, Departures, 'Sydney[.] I am trying to become a great man. [5]. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). Jenny Aland and Max Darby (Editors), Art Connections, 'Visual design or plan of artworks', pg. (age29in1975), Brett Whiteley Shop today! We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in April 1979. This articles includes an anecdote by Stuart Purves, Australian art dealer, of Whiteley and his Archibald prize winning painting. In London he excited art dealers and fell under the influence of painters such as Francis Bacon. The music will be written by Elena Kats-Chernin, with a libretto by Justin Fleming. [3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. Part of his work Alchemy (197273)[9] was featured on the cover of the Dire Straits live album Alchemy although it had the addition of a guitar with lips held by a hand. Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). Whiteley remained in Europe for the next decade, exhibiting his work regularly in group exhibitions in London, Paris, Amsterdam and Berlin and establishing an international reputation. He made several attempts to dry out and get off drugs completely, all ultimately unsuccessful. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). Consider the gaze of Whiteley in each of these works. Brett Whiteley. signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 . Place yourself in your favourite room. High quality Art Print. Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. This website comprises and contains copyrighted materials and works. For the Australian politician, see, Brett Whiteley Travelling Art Scholarship, "Brett Whiteley painting smashes Australian art auction record", "Self portrait after three bottles of wine", "How Whiteley Bay view became Selling Point", "Whiteley art auctions for nearly $3.5-million", "Whiteley painting sells for record price", "The Fourth Veil: Whiteley's Works on Paper, Brett Whiteley Studio", "Figure retoriche: Figures of speech. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. He worked across painting, sculpture and the graphic arts, and is best known for his sensual and lyrical paintings of interiors, nudes and harbour scenes. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. 29-31, Sydney, 20 Jun 1992, 29-31. Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . Closed Good Friday & Christmas day The Archibald Prize: A Century of portraits - QAGOMA Blog After studying half-heartedly at art school he travelled to Europe on a scholarship. unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. Who Is Georges Braque's Still Life With Violin - Studymode Brett Whiteley, Self-Portrait in the Studio (1976) In 1976, Brett won the Archibald Prize for his painting Self Portrait in the Studio. Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). Sandra Jane, Art is making, creating and appreciating 2, Milton, 1999, 121 (colour illus. Self Portrait with Real Hair, 1977, ink and hair on paper, 76.0 x 51.0 cm, whereabouts unknown. 44-45, Sydney, Jun 2012, 45 (colour illus.). BRETT WHITELEY (1939 - 1992) SELF PORTRAIT, 1977 oil and hair on canvas 30.5 x 25.5 cm signed lower. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. Brett Whiteley | Art Gallery of NSW 21, Port Melbourne, 2005, 21 (colour illus.). Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). 190-210, Cambridge, 1988, cover (illus. ), 232. plate no. It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. Hilma af Klint, Buddha's Standpoint in the Earthly Life, 1920 Art Print. He is represented in the collections of all the large Australian . This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. Whiteley's return to Australia in 1969 heralded a new preoccupation with colour and beauty. All Rights Reserved. 1927 Mrs Annie Murdoch by G. W. Lambert. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. An astonishing exhibition. card no. Free entry, Find out what you need to know before visiting, Archibald, Wynne & Sulman Prizes for 1976, A Different Vision - Brett Whiteley Sculptures (1998), Australian icons: twenty artists from the collection, To look within: Self portraits in Australia. 30.5 x 25.5 cm 0 bids Ending 7 Mar at 23:33 AEDST 5d 18h Local pickup. Brett Whiteley is one of Australia's most celebrated artists. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. 7: BRETT WHITELEY, DAISIES, 1975 - 76. . Brett Whiteley was Born on the 7 th of April 1939 at Paddington Sydney. Gareth Sansom - Wikipedia This photograph was taken by Andrew Rankin. Excerpt from the film 'The Australian Londoners' directed by Stefan Sargent. Barbara Konkolowicz, Look, 'Big Blue Sydney Harbour Through The Eyes of Artists', pg. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. Jane Hampson, Look, 'wwwhiteley.com', pg. 176-181, Sydney, 1984, 176, 177 (colour illus.). 47-49, Sydney, Nov 2008, 47 (colour illus.). Kandinsky had a complex, theoretical understanding of the term, involving the artists personality, the context of their times, and the harmonious nature of a composition. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977.
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